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"Is there any feeling more intense than the thrill of the unknown—the pursuit of something elusive, something we cannot yet name? In such moments, we are like the child in Sergio Chejfec’s story who ventures into the crowd, hoping to surprise his parents with an embrace from another direction—if he can find his way back to them. His “wide arc through the throng” furnishes the tagline of our Fall 2026 edition, gathering new work from 32 countries. Among the highlights is a Special Feature on contemporary Czech literature, presented in partnership with the Czech Literary Centre. Elsewhere, we welcome our first-ever contribution from Cape Verde alongside work by Büchner Prize laureate Emine Özdamar and a polemic by Miguel de Unamuno, a towering figure of modern Spanish literature. Landscapes of exile unfold in the prose of Tang-dynasty master Liǔ Zōngyuán; poetry finds one of its great Cuban voices in Fina García Marruz. In an exclusive conversation, Yáng Shuāng-zǐ and Lin King takes us inside Taiwan Travelogue, winner of both the International Booker Prize and the National Book Award for Translated Literature. French guest artist Flora Jamar’s cover art gives these wanderings a playful visual echo, suggesting that the path to the sky might lead through the ground beneath our feet. Yet every detour alters the destination: when we return, if we return, do we find the world we left behind—or only the shape of our former belonging?In Chejfec’s The Call of the Species, conversations about arrivals and departures open onto a childhood memory of a father returning home bloodied by violence, his familiar footsteps forever altered. The longing to recover an earlier shelter runs through Marouf Aghaei’s “Thirsty,” where all the world’s waters cannot equal a mother’s kiss. In Manav Kaul’s Tragedy, a mother’s death summons her son home from Mumbai; at the airport, a scent draws him toward a stranger who seems, for a moment, to bring her back. Memory reaches across another irreparable loss in Miriam Drev’s “Antlers,” where a childhood encounter with a doomed roebuck returns through the speaker’s fingers, imaginatively lengthening into antlers.Sometimes, the longer journey is toward those still beside us. In Viktorie Hanišová’s “Don’t Die Yet Dad,” a daughter lives one tram stop from her father, yet their chance encounters founder on conspiracy theories, communist nostalgia, and rival understandings of freedom. Now that he is dying, she returns to the moment when she might have stepped off the tram and gone back to him. Bianca Bellová’s “The Petal Festival” offers a tender counterpoint: a father’s rambling account of the ships beneath Lake Nemi steadies a daughter reeling from her husband’s betrayal. At the wrong festival, she joins strangers making flower-petal pictures, then watches children scatter them. Intention likewise gives way to chance in Rachael Segrest Cox’s visual practice, where foraged plants, sunlight, and fermentation make creation an encounter with forces beyond the artist’s control. Jean Rolin makes waywardness itself a narrative pleasure in Hormuz, where an improbable plan to swim the strait becomes a slyly comic voyage through geography, martyrs, and the ugly history of US–Iranian relations.In our Czech Feature, familiar lives take unexpected turns. The memory of a fearless classmate helps Anna Bolavá’s narrator loosen her mother’s hold, while Tereza Bínová’s cobwebs, centipedes, and invisible children reveal how much a household shelters without quite knowing. Ondřej Macl approaches Oscar Wilde’s grave through the tangled paths of literary devotion and desire; Jan Musil finds his mother anew in family stories, before an adopted language fills with other people’s voices. Yet language also travels where its speakers cannot. Marie Iljašenko sends a scream toward an unreachable city, while in Božena Správcová’s poems, voices splinter and the dead remain disconcertingly near. The closing assurance—“So you won’t be afraid”—answers Bolavá’s opening title across the feature’s many departures.But the freedom to wander is unequally bestowed. In our recurring Outsiders Feature, Orlanda Amarílis’s “Maira da Luz,” our first contribution from Cape Verde, follows a schoolgirl whose widening horizons are narrowed by poverty and colonial power. Her final disappearance gives thwarted possibility a terrifying shape. Alongside it, Lima Barreto’s “The Moleque” approaches a child’s humiliation through the histories, faiths, and daily intimacies of a Rio neighborhood. Marina Didenko takes another oblique route into lives under threat: in “A Cookbook,” recipes yield to grotesque spectacles of war. Food also draws us into Taiwan Travelogue, where culinary pleasures gradually reveal the inequalities shaping a journey through 1930s Taiwan. In an illuminating interview, Yáng Shuāng-zǐ and Lin King discuss how the novel’s fictitious paratexts unsettle the colonial traveler’s account, bringing into view lives that elude her appetite and curiosity.To read these works is to let another life enlarge our own—and passing them on extends that possibility to others. Keep these encounters alive through our daily blog; subscribe to our newsletters; and join us on Facebook, X, Instagram, and Threads. Bring us texts you believe deserve to be read: in additional to translations, our forthcoming Special Feature, “The Weather Has Changed,” welcomes original English-language writing on climate change, with submissions open until December 1, 2026. Consult our submission guidelines for this and other opportunities, or shape what reaches our readers by joining our volunteer team. Give the gift of a Book Club subscription, or become a sustaining or masthead member. Each act helps sustain what the late, great Dubravka Ugrešić once called “the global literary miracle.”Whose stories will reach us next? Too often, the answer depends on which literatures have institutions able and willing to fund their passage into the world. Remarkable voices remain unheard because the support to translate, publish, and champion them is missing. Our upcoming year-end fundraiser gives readers the power to change that. You nominate. You vote. Your backing will bring underrepresented literatures to an international audience. Pledge your support ahead of our mid-November launch. The next wide arc begins with you."

Key Topics & Focus Areas for asymptotejournal.com:

Fiction

Poetry

Nonfiction

Drama

Visual

Outsiders