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"With more than 300 writers and speakers and over 200 programmes, the 29th Singapore Writers Festival turns “Hidden in Plain Sight” into a sprawling investigation of crime, memory, translation, technology and reading between the lines. A literary festival themed around things hidden in plain sight could hardly arrive at a more appropriate moment. The 29th Singapore Writers Festival, running from 13 to 22 November, takes … Continue reading Over 200 programmes set for Yong Shu Hoong’s final edition of Singapore Writers Festival, turning the spotlight on crime, mystery, and looking beyond what we think we know"

"Singapore consumers are used to the small print being somewhere. It may be tedious, it may be in grey eight-point type at the bottom of a page, but a promotion that sets a condition on a payout generally says so. That reliability is easy to mistake for a natural state of affairs rather than the product of a rule. A survey conducted in late August … Continue reading What Promotional Disclosure Looks Like Without a Rule Requiring It"

"“Maybe because the world is burning and I might as well do the things I want to do.” That’s a statement that feels integral to Singaporean playwright Benedict Lim’s reason for making art. There is humour in the line, but also a sense of practicality: if the circumstances are already uncertain, there is little point waiting for the perfect moment to make the work you … Continue reading Interview: Playwright Benedict Lim spills the ‘Beans’ on class, scarcity and taking creative risks"

"Godot Theatre’s take on Yasmina Reza’s beloved classic reminds us how art reveals uncomfortable truths about ourselves and how we live in a world of myriad perspectives. Duration: 135 minutes John Berger, in Ways of Seeing, famously writes that “the relation between what we see and what we know is never settled”. It is an idea that applies directly to Yasmina Reza’s ART, a play … Continue reading ★★★★★ Theatre Review: ART (2026) by Godot Theatre Company"

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