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"We are thrilled to share that our Structures of Landscape at Tippet Rise Art Center in Montana have been featured in a recent article by The New York Times. Set against the vast backdrop of the Beartooth Mountains, Tippet Rise is a profound sanctuary where world-class music, monumental contemporary art, and untamed nature intertwine. This publication highlights the unique energy of the site, celebrating its mission to foster an immersive cultural experience that respects and amplifies the native landscape. Our contribution to this environment is a series of site-specific installations titled "Structures of Landscape," which include the Beartooth Portal, the Inverted Portal, and the DOMO. Working directly with the geology of the site, we utilized local soil as formwork to cast these raw structures, pouring concrete into the earth to capture the terrain's inherent texture. By emulating natural processes like sedimentation and erosion, we sought to create interventions that function as poetic landforms, acoustic shelters, and deliberate spaces born directly from the earth itself. We invite you to read the full New York Times article to explore how this art venue continues to inspire by situating human creativity in a deeply sympathetic dialogue with the natural world. Here is the link to the full feature."

"We are honored to have our ongoing project, BIOS, featured in GA DOCUMENT 169: INTERNATIONAL 2026. This publication and its accompanying exhibition at the GA Gallery in Tokyo highlight the latest architectural design trends and ongoing developments from around the world. Situated within the industrial fabric of Alcobendas in Madrid, BIOS acts as a surgical intervention that reimagines the traditional office space. Moving decisively away from classical compartmentalization, the project utilizes the existing structure as a rigorous grid, introducing strategic cuts and voids in the horizontal plane to disrupt the density of the mass. These vertical shafts and light wells function as passive thermal engines, allowing natural light and ventilation to penetrate the deep floor plates while fostering visual and social connections. The envelope is reimagined as a fully transparent volume protected by an undulating secondary skin of delicate rebars, acting as a functional op-art mesh. Accompanied by active systems like geothermal energy, photovoltaic arrays, and a sequence of vertical gardens, BIOS establishes a benchmark for a highly sustainable, connected, and dynamic workspace. We are proud to share the pages of this issue with an inspiring group of global colleagues, including Aires Mateus, BIG, Barozzi Veiga, Tatiana Bilbao, Sou Fujimoto, Steven Holl, Toyo Ito, and Kengo Kuma. You can explore the featured concept by purchasing a copy of the publication from this link."

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