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"Read our Spring 2026 issue, featuring David Lowery and Chloé Zhao in conversation on Mother Mary, Radu Jude on Kontinental '25, Boots Riley on I Love Boosters, and more..."

"A multidisciplinary artist at heart, the animator Emily Ann Hoffman makes films spanning many mediums at once. Stop-motion animation remains at the core, though she finds her inspiration in disparate places. “It’s so piecemeal,” she says. While an undergraduate at the Rhode Island School of Design, Hoffman took an animation course on a whim, pivoting from an interest in painting and searching for an art form that worked for her. “Through that experience, it all really clicked for me,” she says. “I realized animation—and stop-motion, in particular—was this amazing Venn diagram of all my interests: handcrafting, sculpting things, painting backgrounds, making sets.” Hoffman leapt into making shorts after meeting collaborator and producer Sean Weiner, and her filmography reflects this interest…  Read more"

"When Christopher Nolan hired Jennifer Lame to edit Tenet, his 2020 sci-fi action thriller, she’d never worked on a project quite like it before. Her background was in far smaller films, including Noah Baumbach’s Frances Ha (2012), Mistress America (2015), and Marriage Story (2019), as well as Kenneth Lonergan’s Manchester by the Sea (2016) and Ari Aster’s Hereditary (2018). Jumping into a project featuring big fight scenes and car chases filmed backward, Lame had a lot to get her head around, and has admitted it was intimidating at first. “I started having to just imagine the cars in these big action sequences as people, giving each car a personality, and have them talk to each other,” Lame said in 2020, “basically, treating them like dialogue scenes because I think dialogue scenes are that…  Read more"

"The Karlovy Vary International Film Festival has walked an improbable path of occupation, compromise, and survival. Its first edition was held in 1946, the year after Czechoslovakia was restored from Nazi rule and weeks before the first Cannes Film Festival. By 1958, after a coup and ten years of state communism, it was designated a category-A film festival by the International Federation of Film Producers Associations—the tier denoting the highest level of international impact. The next year, the Soviet Union dictated that Karlovy Vary take place on alternating years with the Moscow International Film Festival until 1994, two years after its host country had become the independent Czech Republic. This year’s “Vary Special” festival celebrates sixty editions in the course…  Read more"

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