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Table of Contents

• ↓ When Being Good Isn’t Enough: Capitalism, BioPower, and Monstrosity in Zach Cregger’s Resident Evil
• ↓ Loner review – excellent found-footage folk horror
• ↓ Dolls and Their Houses
• ↓ 10 Best Agatha Christie Stories for Horror Fans
• ↓ Agatha Christie Reconsidered Podcast: The Murder of Roger Ackroyd
• ↓ Top Alternatives to horrorhomeroom.com

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"I’ve always thought that what makes a good horror movie is the feeling it leaves you with after it ends. That feeling doesn’t have to be fear; what matters is that something stays with you. But that response also depends on your connection to the film and the expectations you bring to it. Those expectations were especially relevant when I watched Zach Cregger’s Resident Evil (2026). As a fan of the games, I came with an open mind. I knew Leon S. Kennedy, Ada Wong, or even Alice weren’t in it, so I was prepared for a different story. By the end, though, I found myself drawn to its protagonist’s ordinary concerns: earning extra money (and in this economy?), getting the job done, and trying to help. That connection made his eventual transformation particularly unsettling. Before his transformation, Bryan (Austin Abrams) is a medical courier trying to get through a difficult assignment. His circumstances become increasingly grotesque, but there is something familiar about his initial predicament: he has work to finish and personal concerns that cannot simply be put aside."

"Written by Charlie Robb and co-directed by Robb and Douglas Tawn, the 2025 Loner is a found-footage folk horror film about a man called Angus (played by Robb) who heads out into the Northumbrian woods to vlog about “living off the land” – totally cut off from the modern world (no wi-fi, for instance). It should be noted, though, that the cabin he’s renting, advertised as an “Anonymous Retreat,” has plenty of mod cons, and he’s not exactly roughing it. That’s probably a good thing, as Angus’s efforts to film himself “living off the land” turn out to be rather comically incompetent, such as when he attempts to instruct his viewers on how to build a wilderness shelter (which isn’t a shelter) and in which he then gets hopelessly trapped."

"Nature isn’t the worst of Angus’s problems, however, as he encounters increasingly strange and disturbing things. On his way into the woods, he runs across what seems to be a buried Celtic marker and a strange white rock. But then later, while he’s recording ambient forest sound, he hears a grunting and someone sobbing and whimpering. That night, a woman whom he had passed in the forest on his trek in bangs on the door of his cabin begging to be let in, screaming that she’s in danger. Angus won’t let her in – too terrified to help her, even though the woman – Eve (Kat Johns-Burke) – does not seem at all threatening. This isn’t a choice you usually see characters make in films, but Angus’s character has been developed enough at this point in the film that the choice seems believable, true to him."

"On this last official day of summer, we come bearing a special issue that was months in the making and – we hope you’ll agree – worth the wait. With truly stunning and thought-provoking cover art by Andrew Foley, Dolls and Their Houses features seventeen original essays exploring the varied ways dollhouses and miniatures pervade horror."

Key Topics & Focus Areas for horrorhomeroom.com:

When Being Good Isn’t Enough: Capitalism, BioPower, and Monstrosity in Zach Cregger’s Resident Evil

Loner review – excellent found-footage folk horror

Dolls and Their Houses

10 Best Agatha Christie Stories for Horror Fans

Agatha Christie Reconsidered Podcast: The Murder of Roger Ackroyd