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• ↓ Renyao and Wild Beasts: Gender Crossing in Late Imperial China
• ↓ A Book of Actions: Islands, Coastlines, and the Sea
• ↓ Endless Return under the Monsoon
• ↓ Taming Adventures: The Haier Brothers as Global Imagery
• ↓ From Divine Maiden to Heavenly Empress: The Historical Formation of Mazu Belief and the Maritime Imaginary
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"They lived in an era with such a limited scope for social advancement; the lower-class men officially derided as “neither man nor woman,” “monsters,” or “beasts” chose to seek potential means of survival by disguising themselves and crossing gender boundaries."

"In recent years, the field of contemporary Chinese art has seen a growing number of practice-based projects initiated by curators, artists, and institutions. Whether working alone during brief island or port residencies, or traveling collectively along expansive coastlines, these practitioners engage with long-standing maritime rituals—such as boat-sending ceremonies—and observe newly developed marine infrastructure."

"The residues of these histories still drift within the everyday lives of Southeast Asian Chinese, rendering “localization” anything but a clear or uncontested option."

"Around the turn of the millennium, we accepted and embraced The Haier Brothers—whether actively or passively—not only because of its pervasive airtime, but because it had become a “prescribed image.”"

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Renyao and Wild Beasts: Gender Crossing in Late Imperial China

A Book of Actions: Islands, Coastlines, and the Sea

Endless Return under the Monsoon

Taming Adventures: The Haier Brothers as Global Imagery

From Divine Maiden to Heavenly Empress: The Historical Formation of Mazu Belief and the Maritime Imaginary