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Table of Contents

• ↓ Episodic Memory (Exceptet play the music of Brendon Randall-Myers) (cmntx 050)
• ↓ Susan Narucki & Kirsten Ashley Wiest – New Music for Two Voices
• ↓ Steve Reich at 90: ‘Music for 18 Musicians’ (The Clore Ballroom, Southbank Centre, London, 27 September 2026)
• ↓ The Forest Beneath Language: Entering the World of György Kurtág in Marlboro
• ↓ John Adams’ “On the Transmigration of Souls” – A Visceral Experience
• ↓ BBC Proms Varese Barber Torvund Jenkins et al
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"Founded by the amazingly talented and versatile violinist Sarah Goldfeather and clarinettist Chuck Furlong, dynamic new music septet Exceptet are one of New York’s most distinctive ensembles. Their fearless approach to challenging contemporary music can be heard on this latest release of music by Brooklyn-based composer and guitarist Brendon Randall-Myers. Called Episodic Memory, the album kicks off with Chopsticks—its craggy, pointillistic, and fissured surfaces evoking New York City’s urban urgency and intensity. This is a street-level view of city life where nervous, agitated drum and bass-style rhythms rattle on metal-sounding percussion, flitting hyperactively from one math rock-like module to"

"In August of this year, New Focus Recordings released New Music for Two Voices, an impressive collection of acapella vocal music by sopranos Susan Narucki and Kirsten Ashley Wiest. This lavish album features a full hour masterful singing of six contemporary works, including three world premiere recordings. Susan Narucki is an accomplished soprano who has appeared as a soloist with the Cleveland Orchestra, Los Angeles Philharmonic, the San Francisco Symphony, among many other international appearances. She is presently on the faculty of the Department of Music at UC San Diego. Kirsten Ashley Wiest is an award-winning coloratura soprano who has"

"Just when Steve Reich’s ninetieth birthday celebrations appeared to be drifting towards an inauspicious conclusion, along comes Charles Hazlewood and the Paraorchestra to gatecrash the party, tear up the rulebook, let loose a posse of Dionysian dancers on the scene, and transform a routine Reich event into a Bacchanalian rave. This new take on Music for 18 Musicians provided a breath of fresh air amongst a raft of retrospective events—Reich remodelled and refracted through the prism of psychedelia and 1990s warehouse EDM, with perhaps a whiff of hippy idealism and transcendental meditation thrown in. I’m not sure whether the composer would have"

"(Photo credit: Allen Cohen) Reaching Marlboro requires a gradual surrender of scale. Roads narrow, familiar coordinates loosen, and the forest exerts its own editorial influence, stripping away whatever feels extraneous until distance becomes a form of concentration. On September 20, 2026, that concentration gathered inside Ragle Hall at the Serkin Center, where the Marlboro Music Artist Residency Program presented The World of György Kurtág, an arresting sequence of works composed or arranged for soprano and double bass. Beyond the hall stood the wooded seclusion of southern Vermont; within it, soprano Lucy Fitz Gibbon and bassist William Langlie Miletich moved"

Key Topics & Focus Areas for sequenza21.com:

Episodic Memory (Exceptet play the music of Brendon Randall-Myers) (cmntx 050)

Susan Narucki & Kirsten Ashley Wiest – New Music for Two Voices

Steve Reich at 90: ‘Music for 18 Musicians’ (The Clore Ballroom, Southbank Centre, London, 27 September 2026)

The Forest Beneath Language: Entering the World of György Kurtág in Marlboro

John Adams’ “On the Transmigration of Souls” – A Visceral Experience

BBC Proms Varese Barber Torvund Jenkins et al